Tsukioka Yoshitoshi (1839 - June 9, 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.
He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras - the last years of the old feudal Japan, and the first years of the new modern Japan. Like many Japanese, while interested in the new things from the rest of the world, over time he became increasingly concerned with the loss of many outstanding things from the traditional Japan, among them the traditional woodblock print.
By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting the mass reproduction methods of the West, like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost single-handedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
His life is perhaps best summed up by John Stevenson:
- Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory.
- -- Yoshitoshi's One Hundred Aspects of the Moon, 1992
His reputation has only continued to grow, both in the West, and among younger Japanese, and he is now almost universally recognized as the greatest Japanese artist of his era.
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